
Elizabeth Holmes’s Weird Science Finds a New Captive Audience
By HOLLIE McKAY
|Director Max Webster and his team have risen to the occasion, lending vivid theatricality to a story that is, at its core, about faith and belief.

The hardest I have ever cried in a Broadway theater was while watching “War Horse,” an adaptation of Michael Morpurgo’s World War I novel that arrived at Lincoln Center a dozen years ago, after earning acclaim in London. The play is both a historical drama and a love story between a teenage boy and his horse; the latter was represented on stage through the magic of puppetry, with the animal and other equines brought to radiant, eventually wrenching life by brilliant designers and performers.

By HOLLIE McKAY
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By BENNY AVNI
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By SHARON KEHNEMUI
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By MATTHEW RICE
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By DEAN KARAYANIS
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By MATTHEW RICE
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By GEORGE WILL
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By SEBASTIAN DOGGART
|The hardest I have ever cried in a Broadway theater was while watching “War Horse,” an adaptation of Michael Morpurgo’s World War I novel that arrived at Lincoln Center a dozen years ago, after earning acclaim in London. The play is both a historical drama and a love story between a teenage boy and his horse; the latter was represented on stage through the magic of puppetry, with the animal and other equines brought to radiant, eventually wrenching life by brilliant designers and performers.
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