
‘Some Like It Hot’ and the Art of Near Perfection
By CARL ROLLYSON
|Ron Howard’s documentary traces the extraordinary career of a photographer whose work ranged from fashion and celebrity to the civil rights movement.

Richard Avedon snapped some of the 20th century’s most iconic photographs —powerful ones such as “Sad Marilyn,” a picture of a pensive Norma Jeane Mortenson, and boxer Joe Louis’s fist—and yet the cameraman was often derided as merely a fashion and commercial photographer. Admittedly, he assembled an impressive portfolio while working for glossies Harper’s Bazaar and Vogue as well as a string of prestige labels such as Calvin Klein and Dior. As the new Netflix documentary “Avedon” demonstrates, though, the lensman’s black-and-white photographs epitomized the century’s conglomeration of high and low culture, confirming him as not just a skillful stylist but a prescient virtual poet.

By CARL ROLLYSON
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By JULIENNE DAVIS
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By LUKE FUNK
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By LAWRENCE KUDLOW
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By HOLLIE McKAY
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By JENNIFER DOHERTY
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By THE NEW YORK SUN
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By JAMES BROOKE
|Richard Avedon snapped some of the 20th century’s most iconic photographs —powerful ones such as “Sad Marilyn,” a picture of a pensive Norma Jeane Mortenson, and boxer Joe Louis’s fist—and yet the cameraman was often derided as merely a fashion and commercial photographer. Admittedly, he assembled an impressive portfolio while working for glossies Harper’s Bazaar and Vogue as well as a string of prestige labels such as Calvin Klein and Dior. As the new Netflix documentary “Avedon” demonstrates, though, the lensman’s black-and-white photographs epitomized the century’s conglomeration of high and low culture, confirming him as not just a skillful stylist but a prescient virtual poet.
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